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・ Newport, Kentucky
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Newport Jazz Festival : ウィキペディア英語版
Newport Jazz Festival

The Newport Jazz Festival is a music festival held every summer in Newport, Rhode Island. It was established in 1954 by socialite Elaine Lorillard, who, together with husband Louis Lorillard, financed the festival for many years. The couple hired jazz impresario George Wein to organize the event to help them bring jazz to the resort town.〔 〕
Most of the early festivals were broadcast on Voice of America radio and many performances were recorded and have been issued by various record labels.
The Newport Jazz Festival moved to New York City in 1972 and became a two-site festival in 1981 when it returned to Newport and also continued in New York. The festival was known as the JVC Jazz Festival from 1984 to 2008. During the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion.〔(【引用サイトリンク】 url=http://www.apassion4jazz.net/newport.html )〕 As of 2012 the festival is sponsored by Natixis Global Asset Management.
The festival is hosted in Newport at Fort Adams State Park, and is often held in the same month as its sister festival, the Newport Folk Festival.
==Festival's establishment at Newport==
In 1969 the first Newport Jazz Festival (billed actually as the "First Annual American Jazz Festival") was held at Newport Casino in the Bellevue Avenue Historic District of Newport, Rhode Island. It incorporated academic panel discussions and featured live musical performances. The live performances were set outdoors, on a lawn. These performances were given by a number of notable jazz musicians including Billie Holiday. MC was Stan Kenton.〔Leslie Kenton, ''Love Affair'', New York, St. Martin's 2010, ISBN 9780312659080, p. 225.〕 The festival was hailed by major magazines and newspapers. Some 13,000 attended between the two days.〔"Newport Jazz Festival - Top musicians from Dixieland to 'cool' play concerts at staid resort", ''Ebony'' magazine, October 1955, p. 70: "Over 13,000 enthusiastic fans turned out for last year's festival and this year more than 20,000 crowded the three evening concerts held in spacious Freebody Park.".]〕 In general, the festival was regarded as a major success.〔(【引用サイトリンク】 url=http://www.encyclopedia.com/doc/1G2-3468301769.html )
In 1955 organizers were planning a second year for the festival but needed to find a new venue. The Newport Casino would not again host the festival since its lawn and other facilities did not stand up well to such a large event. Festival backer Elaine Lorillard, with her husband, purchased "Belcourt", a large estate which was available locally, in hopes of hosting the festival there. The neighborhood would disallow that plan, citing concerns about potential disturbance. The festival went forward at Freebody Park, an arena for sports near the casino. The workshops and receptions would be held at Belcourt, and the music presented at Freebody Park.
Some in upper-class Newport were opposed to the festival. Jazz appreciation was not common within the established upper-class community. The festival was organized mostly by younger members of the elite group populating Newport. The festival brought crowds of commoners to Newport. Many were students who, in the absence of sufficient lodging, slept outdoors wherever they could, with or without tents. Newport was at first not accustomed to this. And, many of the musicians and their fans were African American. Racism too was a factor in Newport as it commonly was across the land during that era. Traffic gridlock and other contention near the downtown venue were legitimate concerns, and were raised.〔
The festival continued annually and increased in popularity.
In 1960 boisterous spectators created a major disturbance, and the National Guard was called to the scene. Word that the disturbances had meant the end of the festival, following the Sunday afternoon blues presentation headlined by Muddy Waters, reached poet Langston Hughes, who was in a meeting on the festival grounds. Hughes wrote an impromptu lyric, "Goodbye Newport Blues", that he brought to the Muddy Waters band onstage, announcing their likewise impromptu musical performance of the piece himself, before pianist Otis Spann led the band and sang the Hughes poem.
The 1960 event was notable also for the presence of a rival jazz festival that took place at the Cliff Walk Manor Hotel, just a few blocks away. This was organized by musicians Charles Mingus and Max Roach in protest against the lower pay that the Newport festival offered jazz innovators in comparison with more mainstream performers;〔Balliett, Whitney (2000). ''Collected Works: A Journal of Jazz, 1954-2000''. Granta Books. p. 124.〕 the fact that the innovators were mostly black and the mainstream performers mostly white was also an aggravating factor.〔Anderson, Iain (2007). ''This is Our Music: Free Jazz, the Sixties, and American Culture''. University of Pennsylvania Press. p. 51.〕
Presentation of the proper Newport Jazz Festival was disallowed in 1961 due to the difficulty of the previous year's festival.〔 〕 In its place, another festival billed as "Music at Newport" was produced by Sid Bernstein in cooperation with a group of Newport businessmen. That festival included a number of jazz musicians but was financially unsuccessful. Bernstein announced that he would not seek to return to Newport in 1962.
The Newport Jazz Festival resumed at Freebody Park in 1962. The extinct not-for-profit organization which had run the Newport Jazz Festival through 1960 was not resurrected by Wein. Instead, he freshly incorporated the festival as an independent business venture of his own. He was a music festival pioneer and would run many festivals besides the Newport Jazz Festival during his currently ongoing career.
The 1964 festival was the last at Freebody Park since the event had outgrown that venue also. Festival organizers saw a need to move the festival outside of the downtown area since the festival-caused gridlock there was a contentious point in the community. A suitable site, actually a simple but ample field, which would become known as Festival Field, was identified and the move was completed for the 1965 festival. Frank Sinatra played the festival that year and new attendance records were set.

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